• I have build this guitar for famous Ritchie Blackmore followed his instructions, ideas and drawning
    • Shape: Acoustic guitar in 17 century shape.
    • Body: My body shape is modified to fit 15th. fret neck join and soundhole touched the 23th. fret fingerboard end. Body depth on the neck side and tail block is 4". The armrest is on the upper side of top for comfort playing.
    • Soundboard: Swiss "Bearclaw" spruce with special french "mustache" braces. Removable rosette is from papyrus, maple, rosewood, spruce and ebony.
    • Back: Renaissance guitar style back with 23 bowed rosewood strips and maple veneer fills.
    • Neck: Neck meets the body on the 15th. fret position. Neck is profiled in the "soft D" shape. A double way truss rod nut is under upper side of fingerboard. Frets are "jumbo" size (2.8 mm x 1.10 mm).
    • Other: Binding is combination of curly maple and ebony. Bridge pins and strap pin is snake wood, all inlays and fancies are mother of pearl, abalone and ebony.
    • Sound: This small size body with "longer" neck offers wide range colors tones . Thanks to special bracing, superior tone-woods and bowed "lute" back sounds very unique and faded to studio work.
  1. Soundboard: Spruce "BearClaw"
    Back/Sides: Bolivian Rosewood
    Fingerboard: Ebony
    Neck: 3pc Maple "Master Grade"
    Body size: 36 cm x 4"
    Scale: 25,6"
    Head veneer: Ebony
    Saddle: Bone
    Bridge: Ebony
    Binding: Curly maple
    Fret marks: Pearl dots
    Tuning mach.: Gotoh-gold
    Nut: Bone
    Frets: 23
  2. Pickups: Fishman®,L.R.Bags®, B-Band® etc.
    Tuners: Grover®, Schaller®, Gotoh®
    Hardware finish: chrome, black, gold
    Guitar include hard shell case
  3. Pictures navigation: Keyboard arrows Left and Right
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